Givan Lötz (1982) is interested in spaces of emotional resonance. In his work, he manipulates the capacity for paint to render organic forms and natural cycles of growth and decay. This process forms part of a personal visual shorthand – a painterly proficiency borne from tacit learning.
He says: “With my work I hope to trace a connection with the land itself, finding a solace in the regenerative cycles of nature by binding outer place (landscape) and inner world (mind-state).”